Skip to main content

beautiful money

Abstract Painting by Jolina Anthony, image from fineartamerica.com
I was in the subway a few weeks ago, waiting for the train to come. We have a lot of subway musicians in Montreal, people showcasing everything from rap music to classical opera to electric guitar solos to saxophone riffs. As is to be expected, some are better than others. This particular afternoon, as I stood and read my book while I waited for the train, I heard a ukulele being strummed and it made me stop reading. That in itself is quite something. Then I heard a sweet voice singing to the strumming, and I was compelled to turn around and look at the source.

She was young, with long blond hair and baggy clothes. Her right hand was rhythmically stroking the strings, her eyes were closed, her face was tilted slightly down and to one side, and she sang a song that pierced my soul. I don't remember the lyrics, but I remember feeling like someone was showing me their most vulnerable, yet strong side. I stood there, a bit in shock, wondering if anyone else was witnessing this incredible moment. Most people just went about their business. I wanted to let the young musician know that I appreciated what she was offering, so I made eye contact and gave her a big smile. She returned the gesture.

And then I had this deep conviction that I needed to give her money. I immediately felt awkward. My train might show up at any time and I would have to dig around in my wallet to see what change I had, walk over to the place where she was... You know, just silly excuses. But I knew it was important, so I opened my wallet, grabbed some change, and dropped it in her ukulele case. I wish I could have listened longer, but my train arrived and whisked me away.

This encounter got me thinking about money. Why was there such a contrast between the two actions? The music was so beautiful and my act of donating a few coins seemed so crass. I wanted what I did with my money to be as beautiful as the music I was hearing. It made me think that perhaps money is like crayons or brushes and paint, creative tools through which we express ourselves. And as with any art form, one needs to develop skill with money, exercise a certain amount of discipline with money, but also make room for spontaneity and freedom and creativity and above all, strive for beauty with money.

I was reminded of the story of the woman who poured expensive perfume on Jesus's head at a dinner party shortly before the Passover (see Mark 14). When she did so, the dinner guests thought it was wasteful. Why, the rare perfume could have been sold for almost a year's wages and the money given to the poor! Jesus defended her, indicating that her act was an extraordinary show of kindness and a symbolic preparation for his upcoming death. After this event, Judas, the disillusioned disciple, met with the chief priests and arranged to betray Jesus in exchange for a monetary reward.

I find four different attitudes to money in this story. First, the woman acted out of the notion that money should be used to make something beautiful, to perform an act of worship which in some small way reflected the extravagant love that Jesus had for her. In contrast, the dinner guests, solid upstanding citizens that they were, had a more practical approach to money. Money was a tool to do the most good for the most people. Efficiency mattered. Reputation mattered. Third, we have the chief priests who recognized that money could be used to "grease the rails," to make things go a little smoother, to make sure that the right side had the upper hand. Fourth, Judas the opportunist thought that money was a way to get ahead, to better his situation. That didn't turn out too well.

What I see here is the principle that money follows love. Jesus said that where our treasure is, there our heart will be also (Matthew 6). Wherever our love is, the money will follow. If we love our families, our money will be spent on them. If we love ourselves, the money is spent on things we want. If we love our enemies, we won't think twice about lending them money or helping them alleviate a need. If we love God, we use the crayons of money to create beautiful expressions of worship which reflect the kingdom of God. Like the poor widow who placed two small coins into the temple treasury, we give freely, selflessly, as an act of gratitude and worship to the God of heaven and earth. We are compelled by love. Our money follows love. It is the way of integrity.

But what if we are short on love? If love is lacking, money will find something else to follow, some other strong force in our lives like fear, pride, insecurity, greed, unforgiveness, lust, etc. Money used for any other purpose but love brings many sorrows. (1 Timothy 6). We cannot judge others and how they deal with money, but we should certainly look at what kind of picture we are painting with our money. Do I see my use of money as an act of worship, a display of gratitude reflecting God's generosity toward me? Do I use my money to contribute toward a generous, benevolent community or am I mostly concerned with my own needs and desires? How does my money reflect my relationships, values, and goals? Do I live as if money has power or love has power? Does my money follow love? And if not, what does it follow? How does my use of money reflect the kingdom of God? Do I sow money like the farmer scatters seeds, knowing that some will land on good ground and some will never bring a return, but I freely sow anyway?

Let us paint beautiful pictures with the money we have in our crayon box, pictures which reflect love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control, generosity, mercy, grace, and gratitude. What's in your wallet?

Comments

Popular posts from this blog

Names of God

The Hebrew word "YHWH" (read from right to left) This past Sunday I gave a talk on the Names of God, the beginning of a series on this topic. This first talk was to be a gentle introduction so I thought it wouldn't take too many hours of preparation. Well, I quickly discovered that the research is almost bottomless; every time I thought I had a somewhat definitive list of names, I found another source which added a few more or gave a different twist on some of the names I had already come across. After several hours I was getting overwhelmed by the sheer amount of data (and that was only looking at the Hebrew Bible). I wondered how I could present this to people in an orderly and accessible fashion and within a reasonable time frame. Not everyone is up for a 3-hour lecture crammed full of detail on a Sunday morning. So I took a break and spent a bit of time meditating on this problem and asking the Spirit for guidance. And then I thought that being overwhelmed by Go...

Esther's protest

I have been hesitant to write anything here pertaining to the student protests in Montreal, partly because I didn't believe I had any solutions to offer and partly because I just wanted to stay out of the controversial mess it has become.  Besides, I have studying to do.  But this weekend, something changed.  I read the book of Esther. First, some background:  the unrest started early in the year when a group of students decided to protest the tuition hikes proposed by the Quebec government ($325 a year for the next 5 years).  Seeing that tuition rates have been frozen for almost ten years, it seemed reasonable to the government to increase them to reflect rising costs.  This did not sit well with some students, and they organised an ongoing protest in which students were encouraged to boycott classes and refuse to hand in assignments.  It has now grown into a movement which has staged several organise...

it's a mad mad mad world (of theology)

The mad dash for the end of term has begun.  I have finished all my required readings and have jumped into research reading.  One of my papers is on the madness of theology (the correlation seems more obvious to some of us than to others).  Truly inspiring stuff, I am finding.  Let me share a few quotes here: There is a certain madness in Christianity – in a desert God who is jealous and passionate, in a saviour who speaks in apocalyptic terms, in a life of sacrificial love, in the scandal of particularity.   In principle, a confessional theology should bear the mark of this madness, but the mark or wound must constantly be renewed. - Walter Lowe, "Postmodern Theology" in The Oxford Handbook of Systematic Theology , 2007.   “In the Scriptures the odd phenomena constituting the ‘Kingdom of God’ are the offspring of the shock that is delivered by the name of God to what is there called the ‘world,’ resulting in what I call a ‘sacred anarchy.’   C...