Skip to main content

I am not a soprano

I love to sing. Not everyone loves to listen to me, but I have always loved to sing. I started to play the piano around the age of 5, and was soon improvising and writing my own simple melodies to sing and to play. The ability to hear and sing different harmonies was encouraged by a musical grade school teacher and ever since then, I have preferred the tension and sweetness of two or three voices to one. I sang second soprano throughout high school and college, that middle voice that is often the hardest to identify in a musical piece, but the one that is in the closest proximity to the other voices.

On occasion, I was thrust into the soprano role, just because I could hit the notes, even if they were a bit on the light and airy side. I never had much strength in my singing voice, and this frustrated me as well as various musicians and soundmen who had to compensate for my lack of volume. I always wished that I had more power in my singing voice. In some ways, it seemed so different from my speaking voice, which was much deeper and had plenty of power.

And then, somewhere in my twenties, I realised that I had been singing in my falsetto all these years. Because the parts that are available to girls are either soprano, second soprano, or alto, I learned to sing in all these ranges. However, all of these required me to sing mostly in that soft, breathy voice that is known as falsetto, and I had a pretty well developed falsetto range, about 2 octaves' worth.

When I began to sing with my real voice, the voice that matched my speaking voice, I discovered that my true range is more like a tenor. Since I had never really exercised this deeper singing range before, it took a few years to build up some strength, stamina, accuracy, and tone. I am forever grateful to all my fellow musicians and friends who bore with me in that awkward transition time. Finally, I felt like it was the real me singing, and not someone trying to sing what everyone else was singing and never quite getting it right.

I don't have the most beautiful singing voice you will ever hear; it cracks on high notes sometimes and doesn't have a very big range, but it is truly mine - it sounds like me. And when I put my heart into a song, it transcends my vocal abilities, because music is never about being able to sing it all perfectly. It is about giving myself. And in order to do that, I have to sing with my true voice. The voice only I have. The voice that God put inside of me to sound different than anything and anyone else. The voice that is missing if I do not open my mouth. Sing!

Here are some short video clips from musicians for your inspiration:

Dave Stewart: http://www.youtube.com/watch?v=o5PE160Tl2I

Washuntara: http://www.youtube.com/watch?v=2VPHiSDrlZ4&feature=related

And, go out and buy Happy Feet and watch it!

This is a picture taken on a snowy evening in Alexandria, Virginia. There is nothing like walking and singing in the snow!

Comments

Popular posts from this blog

comedic timing

Comic by Joel Micah Harris at xkcd.com One of my favourite jokes goes like this: Knock, knock. Who's there? Interrupting cow Interrupting cow w--- Moooooooo!! Timing is important in both drama and comedy. A well-paced story draws the audience in and helps it invest in the characters, while a tale too hastily told or too long drawn out will fail to engage anyone. Surprise - something which interrupts the expected - is a creative use of timing and integral to any good story. If someone is reading a novel and everything unfolds in a predictable manner, they will probably wonder why they bothered reading the book. And so it is in life. Having life be predictable all of the time is not as calming as it sounds. We love surprises, especially good surprises like birthday parties, gifts, marriage proposals, and finding something that we thought was lost. Surprises are an important part of humour. A good joke is funny because it goes to a place you didn't expect it to go. Sim...

what's on your breastplate?

Who wants to be a priest? I asked this question in my faith community this past Sunday and a few eager hands went up. But there were also looks of puzzlement. Perhaps some people were thinking, "Maybe, but what exactly does a priest do?" I am so glad you asked. The first mention of a priest in the Scriptures is Melchizedek in Genesis 14. Abram has just rescued Lot and his household from capture (they got caught in a war between rivalling kings), and when he returns, he is greeted by the grateful king of Sodom and a priest. “And King Melchizedek of Salem brought out bread and wine; he was priest of God Most High. He blessed him and said, ‘Blessed be Abram by God Most High, maker of heaven and earth; and blessed be God Most High, who has delivered your enemies into your hand!’” (Genesis 14:18-20, NRSV) So what does this tell us about what it means to be a priest? First, this priest was also a king. Subsequent priests were not kings, so this double role was unique to...

Esther's protest

I have been hesitant to write anything here pertaining to the student protests in Montreal, partly because I didn't believe I had any solutions to offer and partly because I just wanted to stay out of the controversial mess it has become.  Besides, I have studying to do.  But this weekend, something changed.  I read the book of Esther. First, some background:  the unrest started early in the year when a group of students decided to protest the tuition hikes proposed by the Quebec government ($325 a year for the next 5 years).  Seeing that tuition rates have been frozen for almost ten years, it seemed reasonable to the government to increase them to reflect rising costs.  This did not sit well with some students, and they organised an ongoing protest in which students were encouraged to boycott classes and refuse to hand in assignments.  It has now grown into a movement which has staged several organise...