outWORD by Matte Downey

Image from break.com What type of story captures our attention?  Is it the tale of a hero, a person who does extraordinary things in the face of great obstacles? Is it an adventure, a grand story that takes us to exotic lands? Is it a love story which makes our hearts pound with passion? What type of people impress us? Those who are well-spoken and intelligent? Those who are charismatic and funny? Or perhaps we are attracted to the beautiful and graceful ones. This week has been a hodge-podge of reading for me: everything from biblical texts to anthropology, philology, play-writing, fiction, and memoirs. Some of the stories and characters have gripped me; others have left me unimpressed. It makes me wonder: what's the difference?  What am I looking for? What do I want to immerse myself in? Erich Auerbach (he's a philologist, a person who studies language in ancient literature) observes the difference between two types of epic story: the legend and the historical account

K2. Image from  imgur.com It's not as easy to fail as one might think.  Oh really?  Yes, because a lot of the time what we take to be failure is not. In fact, one could say that many of our ideas about failure (not achieving a desired outcome) are more myth than truth. And I don't mean myth in the sense of a traditional story concerning the early history of a people, a folk tale, but that it is a widely held but false idea. Often our concept of failure is too simple, and we jump to the "F" word quicker than a cat off a hot stove. The equation seems rather straightforward: I want A. I need to do B to accomplish. A. I was unable to complete B.  I did not accomplish A. I failed. Now, wait just a minute. Let's back this up a bit and look at some of the problems with this equation. 1. We assume that A is obvious and very specific. The fact is that the more specific we make our goal, the more likely we will need to adjust it as we go along. Keeping A rather broa

Mixed media on my table this morning As part of the homework for a spiritual formation course I am facilitating, I took a two-day media break this week. Since I was working and still needed to attend to necessary correspondence and research, I didn't forgo the internet entirely, but what I did do was stay off Facebook, not take any pictures, not post anything anywhere, not watch television, not listen to music, not read emails that didn't need a response, and not research anything that wasn't directly related to my work. Two days is a relatively short period of time, and not all that stringent of a media break, but I found it quite instructive. The first thing I noticed was that I had to deal with a compulsion to regularly check all my usual haunts (Facebook, email, Instagram, Words with friends, etc.).  I also had to resist the urge to instantly look up something I was curious about and fight against the habit of passing the time on the bus by fiddling with my iPhone

Tintoretto's Cain and Abel This past week I have been reading Miroslav Volf's excellent book,  Exclusion & Embrace . Volf, a Croatian theologian (now working in the USA) who has seen the terrible things that neighbours can do to each other, brings a very personal and challenging perspective to the topic of how we live with others. One of the stories he includes in the book is the familiar tale of Cain and Abel, the brothers who didn't get along (see Genesis 4). Let me paraphrase his observations. At first glance the two brothers appear to be equals: born of the same parents, both engaging in respectable occupations (one a tiller of the ground and the other a keeper of sheep), both offering appropriate sacrifices to God, and neither of them taking centre stage in the story (a literary device is used whereby the names are mentioned alternately). However, there is an undercurrent of inequality in the story. At the birth of her first son, the mother issues a proud